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"Artistic creativity should be directed not at the whole humanity, but at the concrete personalities, at those circles of society, that is choosen by the artist as the addressees of his works. That way will be possible to overcome the abstractness, detachment of art from life and give it "civicism"
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Garden "grown" by Anton Balanchivadze
For visualization of the garden the artist resorts to a traditional mythologem: a landscape
model with a triad of the eart, the sky and a creature, using a form of a fairy tale mystery
and non-hierarcichal programme of totem, which implies equality and unuin of all creatures.
He offers us magic gardens where forests are covered with mystery, trees and plants are
a symbol of cosmogonous structure, and people and animals act according to a heraldic
or narrative scenario. The artist sees the garden as a structure of the world that he deems
superior: the harmony permeated with the tint of mystery unites the earth, the sky,
plants, animals and human beings.
The artist's programme that reflects a humanistic viepoint of the existence of the world is
expressed by an image of the garden or created by the elements of the garden. He substitutes
realistic compositions with abstractions where the motive of the garden is just indicated.
Replacing the reality with abstraction allows the artist the freedom of action to turn
the concept of a garden into a symbol where a rational approach turns into an irrational
and emotional presentation and the specific topic into a universal value.